Those struggles provide the meat for the production, but the core is truly Usher’s inner thoughts, which gives the show its movement. We watch Usher, who is himself a Broadway usher and musical theater writer, get in his own way of writing musicals with his self-doubt and unresolved trauma of growing up big, Black, and queer. But the fact that you can recognize the illusion kind of proves that it exists. It’s the idea that your ability to conceive of yourself as an “I” is kind of an illusion. And it’s basically about how your sense of self is just a set of meaningless symbols in your brain pushing up or down through one level of abstraction to another but always winding up right back where they started. Well, don’t fall asleep but it’s a cognitive-science term that was coined by this guy named Douglas Hofstadter. ![]() Behind the raw and self-deprecating comedy, Strange Loop still manages to address serious issues of identity, racism, religion, and the politics of being fat, Black, and queer, but somehow the delivery is more entertaining than offensive. ![]() Jackson (writer, music, lyrics) opened on April 26 at the Lyceum Theatre and it just might be the most self-reflective piece currently on Broadway. The “big, Black, and queer-ass American Broadway show” by Michael R.
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